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Artist: Ray DeTone
CD Title: "Strange World"
Reviewed by: Nick Martinelli
Reviewed: 1/29/2001 |
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Track Listing:
- Gateway
- Strange World
- Hoedown
- The Journey Begins
- Hard Ride
- Untold
- Kings Court
- The Gypsy's Court
- Miles Deep
- Suck Off
- The Axe Swings
- Homework
- Street Urchin Symphony
Released 2001
www.raydetone.com
For sale online at his homepage (discounted via mail order).
Also for sale online at:
www.guitar9.com
Members:
Ray DeTone: All Guitars, bass
Contributing Musicians:
Ric Prince: Lead Vocals
Dave Keyes: Bass
Michael Sciotto: Drums
Rick Mullen: Bass
Adam Holzman : Organ
Van Romaine: Drums
Marc D. Ensign: Bass
Al Spinelli : Horn Arrangements, additional keys
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Do you want variety in a CD or what? Ray
DeTone delivers the goods on his newly released CD "Strange
World." I was just introduced to Ray very recently. In fact,
I just go the CD in the mail from him this week. I ordered it online
at his web page. www.raydeTone.com
It was worth every penny! This CD has it all; rockers, vocals,
classical, gypsy, jazz, and tons of wild guitar effects. Simply
put it, "Strange World" rocks. I hope to see more releases
from this artist. Ray DeTone has to potential take over the
instrumental / vocal guitar industry by storm. You'll even get to hear
a few all-star guest performances by: Van Romaine (Steve Morse's
drummer), Adam Holzman (Organ/Keyboardist) who played
keyboards for The Miles Davis Quintet. These guys add a little
extra to make the songs the even cooler.
Ray's writing skills are exceptional.
He adds a lot of layers to his songs and gives them lots of life.
His backing riffs are sharp, and cut right through the songs. The
bass believe it or not, really stands out. No instruments
are buried at all. Lots and lots of walking bass lines can be found
on this album. You truly get your moneys worth out of this
CD. Like I said before, "Strange World" has just about
everything including the kitchen sink! The recording quality is
surprisingly good. Most independent artists have a budget and kind
of skimp on the sound quality do to money constraints, but this
CD is crystal clear. Sounds extremely professional. Hats of to the
producer (Ray) for giving the mix lots of life. Even the artwork
is cool, the cover looks something out of a J.R.R. Tolkien story.
The back of the CD looks cool to, good photography. Lets get on
with the track by track.
Track one "Gateway" is a cool
intro for "Strange World." It gives you the feel
like your rising up form some dark abyss into the light. Kind of
like that monster hand reaching up through those murky lake waters.
Sweet sounding guitar effects blended into the tone. Gives the guitar
lots of life, almost turns it into a whole other creature. Lots
of dive bombs and even a repeating lick. His lead tone in this track
is phenomenal. Someone please send me that processor! Good song
to wake up to.
Track two "Strange World" really
gets the record moving. With a "technoish" "hammer
and anvil" sound effect. Then comes in a monstrous guitar riff.
Can we say metal? Very catchy riff. The vocals really rock on this
song. Hats off to Ric Prince on this one. This has to be my favorite
vocal tracks on the CD. Ray really displays some great guitar riffing
on this song. The "hammer and anvil" sounds pop in every
so often to add flavor to the song. Then at 2:11 the shredding starts!
Smoking lines all the way through, smooth bends, really cutting
edge. Check out the cool descending line at 2:20, super cool, I've
never heard anything like that before. Please check that one out.
This song is defiantly one to crank up while driving. Can we say
movie soundtrack material here!
Track three "Hoedown" was written
by Arron Coplan, a famous 20th century composer for classical orchestra.
In this piece he was trying to inspire the feel of the early West
in the US with that piece which is an excerpt from "Rodeo".
Grab your partner and swing her all around, doce do.... What can
I say. Cool song. I personally hate country style music. But
something to me on this one. Its a really fun song. It will definably
crack a smile on your face! He even tosses in some cool shred
lines every so often to keep it exciting. Ray uses a nice
sounding repeating lick to help restate the verse throughout. Reminds
me of an old Bugs Bunny cartoon from years ago, you know the one.
About all else I can say is to give it a listen. You'll dig it.
Just don't forget your cowboy hat and boots, your trusty steed Silver.
Track four "The Journey Begins"
is a really neat song. The beginning is killer. Sweet sounding nylon
string, "classical" sounding. Then comes in a WAH WAH
guitar. It really changes the feel of the song. The song's pace
is slow, but it carries well. Then pops in a "classical"
passage at 1:13, that appears through out the song. The WAH WAH
guitar effect is used widely through out this song as well. Ray
uses it with much flavor, honestly it never gets old. He does break
up the song a lot using the before mentioned passage. Check out
2:15 for a fusion type guitar line, very neat. Ray again shows how
versatile of a player he can be in this song. He ends the song with
some great lead passages. Its a great instrumental, that's for sure.
Track five "Hard Ride" is a
very cool song indeed. You can tell Eric Johnson is an influence
on this guitarist playing. It should be called "Cliffs of Dover
II." This is not a rip mind you. This song completely rocks.
Very happy sounding, its got to be in a Major key. Lots of cool
guitar work here. His leads just lock in so great with the walking
bass lines. The first lines of the song give a Racer X type guitar
shred from hell flavor. Then in comes in the repeating main riff,
its a hook line and sinker. I love the main guitar lead that takes
off at 2:13. Its nuts. Then Ray goes of the wall and shows off some
of his speed. He's very clean as well, no bad notes at all. The
main guitar line is really catchy, its a hook that you won't forget.
Track six "Untold" is the second
vocal track on "Strange World." Yet another, a great cruising
tune. Its got a Extreme feel to it. Jamming riffs all the way through.
Again Ric Pierce gives us some cool vocals. Really listen to the
beginning acoustic lines, there are sweet. Major sounding, bright
and full of life. Some keyboards even pop in every so often, nice
touch. Then at 2:22, a Harmonic minor passage steers in. Its
a real shock, I didn't expect it all all. Then at 2:39 DeTone really
shows off his chops as a shredder. Fast and lots of feel.
I really recommend listening to this lead a few times over. Overall
the song is great, well written, and attention grabbing. Good radio
song.
Track seven "Kings Court" is
a killer acoustic track. Has lots of feel and moves with grace.
Ray does a lot of double tracking here. Meaning that the two guitar
lines are never the same. One carries in on direction and
the other in a different one, but they always meet back at the center.
Good construction. Ray's time is never off either. This is one of
the shortest songs, but it really gives you a lot musically!
I can't recommend just one part, its a song that you really can't
skip around in, without missing the whole picture.
Track eight "The Gypsy's Dance"
is a Latin / Gypsy style song. Wish I had one of those dancers here
right now as a matter a fact. He came up with a really neat repeating
line in this song. This is the shortest song on the whole CD only
being 1:43 long total, but you'll have to put it on repeat. Ray's
mastery of all fields of guitar shines on this song. Who said shredders
can't jam!
Track nine "Miles Deep" should
be on the next Brian Setzler CD. Its nothing but a big rocking jam.
It'll have you snapping you fingers and wanting to dance. Even an
organ is introduced into this song, giving it a nostalgic feel.
You just have to love his guitar work at 1:50, its a really cool
descending line. Then we even get some pentatonic blues leads starting
at 2:20. This cat can jam. DeTone really locks in with the rhythm
section with his leads, they fit into the song well. Its almost
like free from. Then at 3:00 comes one smoking bend idea, very cool.
The rest of the song really shows off Ray's polished guitar playing,
very good. I'm not a huge fan of this type of guitar playing, but
after hearing it I may just have turned a new leaf.
Tack ten "Suck Off" starts off
very strange. Cool intro effects. Then comes the hard hitting
guitar riffs. The vocals in this song have a distant type affect
on them. Ric Prince does some interesting vocal work
here. This song would hit in good with some of the newer styles
of music enjoyed by Americas youth. Very different. But the lead
is killer at 2:06. I think this this the highlight of the song.
I love it. It really adds to the song. Don't get me wrong the song
is good, I just have a hard time getting into groove oriented type
songs like this one. The lead is defiantly my favorite part. But
don't take my word for it, I'm OVERLY biased, because I'm
a diehard Heavy Metal fan. So this song takes getting use to for
me.
Track eleven "The Axe Swings"
really swings! Totally ear pleasing. The guitar lines are very smooth.
I'll bet 10 bucks you could dance to it if you tried. Its a hip
song. I'm unsure of what scales and modes he uses through out the
song, but would love to find out. The song really takes off at 1:15.
I really like the lines and phrases Ray uses at this point.
This song is very fun. Another good section starts at 1:30. He even
uses some trem bar work with chords. Cool line takes off at 2:00,
that has to be my favorite part of the song, and its not even a
lead. Then in comes the swing shred at 2:26. Smoking, Ray goes
ape! Oh, another cool thing about this song is that Ray uses little
distortion at all, remember those days before overdrive? You can
tell how clean Ray's guitar work is in this song.
Track twelve "Homework" will
make you sit down and go over your guitar playing homework! Very
melodic and intricate. He pops in an interesting section at
00:22. I have to say I've never heard anything like that before.
The jam lead comes in at 1:42, very cool passage. Ok, check out
2:07 this part is insane! Lots of cool guitar overdubs, blended
together. Then at 2:25 Ray kicks in a evil lead, very scary. Done
with lots of taste. DeTone's lead tone sounds really good throughout
that section. Then form there he goes back into the groove thing
again. Ray has a great ability to change styles throughout a song,
without throwing you off. He is a master a song construction.
Track thirteen "Street Urchin Symphony"
is the best instrumental lead driven song on "Strange World."
No wonder he saved it for last. Its great. Tons and tons of emotion
and feel, the guitar really weeps to you in this song. My favorite
part starts at 00:50, very happy upbeat line. Ray really uses lots
of different techniques in this song as far as his leads, they go
from complex, to soulful in a heartbeat. That's one of the reasons
I really like him as a guitarist, he is so versatile. Then the song
goes clean at 2:12, very melodic guitar work here, with his rhythm
playing. It really sets a mellow mood. Over that he rolls in with
very well chosen guitar passages, also slow in nature, pausing every
so often, to help start the next passage. Again in this song, Ray's
guitar tones really help add to the flavor of the song. At 3:48
a sweet harmony pops in under the main leads. Very well done, it
just pours out in emotion here. Even the keyboards come in and add
to the texture. Then to finish it off, Ray builds his leads to a
high point. Staring low then escalating the feel of them. Again
here DeTone utilizes the guitar overdubbing to add tons of texture.
I would hate to sit down and try to figure them all out. They so
good! This is why this tune has to be my most favorite on
"Strange World." Ray really uses all his energy
and creative abilities in this song, and you'd have to be deaf
not to feel it too!
All and all "Strange World"
is a great release. It gets an A+ in variety, he covers all grounds
on this CD. No wonder its called "Strange World," because
Ray takes your ears and mind into a whole new dimension with this
release. Fans of all types of guitar can really enjoy the CD, whether
its Jazz, Fusion, Metal, rock, or mainstream. Ray covers every base.
I think that's why I like his playing so much, he stands out. Not
many guitarists can pull of what Ray does without being abrupt.
In Ray DeTone's book, its a no brainer! I highly recommend this
CD if your looking for a new perspective on your guitar playing.
Ray opened my eyes to some new avenues that I never dreamed of trying.
Coming form me the "Metal Monster" that's big praise!
So go visit Ray Detone at www.raydetone.com
He has CDs for sale, ready to ship right away. So go open your wallet
and spend a few bucks, you won't regret it, I promise. n They are
also on sale at www.guitar9.com |